Home Up
 

This is the review of Kenny G's concert at the Royal Albert Hall on 2nd February 1994
that I wrote for Blues & Soul magazine.

Kenny G held a captive audience entranced for two and a quarter hours last night at the Royal Albert Hall. The Hall's acoustics were a perfect setting for this type of performer, and Kenny G did not fail it. From the opening notes to a rousing finale of 'Songbird', the crowd were mesmerised by his skilful and artistic playing of three saxophones, and he left us wondering: how does he hold those notes for so long?

Songs from his latest album, such as 'Forever In Love' and 'G-Bop', were received with generous applause, but one of the most refreshing aspects of the evening was his interpretation of the 'MTV Unplugged' concept. An acoustic version of 'Sister Rose' proved that you do not need 'high-tech' equipment to produce a great sound. The night's penultimate track was his rousing version of 'I've Been Missing You'. A foot-stomper if ever there was, Kenny had everyone on their feet as he ventured off stage and into the crowd, as he played on all five tiers of the Royal Albert Hall, in what was a magnificent demonstration of his versatility and agility.

Kenny interspersed his act with occasional wit, but perhaps background to some of his more personal songs would not have gone amiss.  Still, a sax version of 'God Save The Queen' was most certainly different, leading us into his greatest hit 'Songbird'.  Interspersed with excellent piano by Robert Damper, including a riff of 'Tribeca', this brought the curtain down on a fabulous night for all.  My only real criticism was the lack of vocals, when no doubt 'By The Time This Night Is Over', 'We Saved The Best For Last' and 'Tribeca' would have been warmly appreciated, especially by me.  That aside, this showcased true professional American musicianship with a five-piece backing band that were second to none.

This may have been my first Kenny G concert, but it definitely will not be the last.  The rest of 1994 has a lot to live up to.

© Mark Sykes 1994